Composition and Reception
The Andante favori was written between 1803 and 1804, and published in 1805. It was originally intended to be the second of the three movements of Beethoven's "Waldstein" piano sonata, Opus 53. The following extract from Thayer's Beethoven biography explains the change
- Ries reports (Notizen, p.101) that a friend of Beethoven's said to him that the sonata was too long, for which he was terribly taken to task by the composer. But after quiet reflection Beethoven was convinced of the correctness of the criticism. The andante ... was therefore excluded and in its place supplied the interesting Introduction to the rondo which it now has. A year after the publication of the sonata, the andante also appeared separately.
Many listeners today would agree that Beethoven's decision was a good one--the slow introduction that replaced the andante tightened the sonata and made it more dramatic, while the Andante favori stands well as a work on its own.
The reason for the title was given by Beethoven's pupil Czerny, quoted in Thayer: "Because of its popularity (for Beethoven played it frequently in society) he gave it the title Andante favori ("favored Andante").
Read more about this topic: Andante Favori
Famous quotes containing the words composition and, composition and/or reception:
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (18741946)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)