Ancient Egyptian Literature - Dating, Setting, and Authorship

Dating, Setting, and Authorship

Richard B. Parkinson and Ludwig D. Morenz write that ancient Egyptian literature—narrowly defined as belles-lettres ("beautiful writing")—was not recorded in written form until the early Twelfth dynasty of the Middle Kingdom. Old Kingdom texts served mainly to maintain the divine cults, preserve souls in the afterlife, and document accounts for practical uses in daily life. It was not until the Middle Kingdom that texts were written for the purpose of entertainment and intellectual curiosity. Parkinson and Morenz also speculate that written works of the Middle Kingdom were transcriptions of the oral literature of the Old Kingdom. It is known that some oral poetry was preserved in later writing; for example, litter-bearers' songs were preserved as written verses in tomb inscriptions of the Old Kingdom.

Dating texts by methods of palaeography, the study of handwriting, is problematic because of differing styles of hieratic script. The use of orthography, the study of writing systems and symbol usage, is also problematic, since some texts' authors may have copied the characteristic style of an older archetype. Fictional accounts were often set in remote historical settings, the use of contemporary settings in fiction being a relatively recent phenomenon. The style of a text provides little help in determining an exact date for its composition, as genre and authorial choice might be more concerned with the mood of a text than the era in which it was written. For example, authors of the Middle Kingdom could set fictional wisdom texts in the golden age of the Old Kingdom (e.g. Kagemni, Ptahhotep, and the prologue of Neferti), or they could write fictional accounts placed in a chaotic age resembling more the problematic life of the First Intermediate Period (e.g. Merykare and The Eloquent Peasant). Other fictional texts are set in illo tempore (in an indeterminable era) and usually contain timeless themes.

Parkinson writes that nearly all literary texts were pseudonymous, and frequently falsely attributed to well-known male protagonists of earlier history, such as kings and viziers. Only the literary genres of "teaching" and "laments/discourses" contain works attributed to historical authors; texts in genres such as "narrative tales" were never attributed to a well-known historical person. Tait asserts that during the Classical Period of Egypt, "Egyptian scribes constructed their own view of the history of the role of scribes and of the 'authorship' of texts", but during the Late Period, this role was instead maintained by the religious elite attached to the temples.

There are a few exceptions to the rule of pseudonymity. The real authors of some Ramesside Period teaching texts were acknowledged, but these cases are rare, localized, and do not typify mainstream works. Those who wrote private and sometimes model letters were acknowledged as the original authors. Private letters could be used in courts of law as testimony, since a person's unique handwriting could be identified as authentic. Private letters received or written by the pharaoh were sometimes inscribed in hieroglyphics on stone monuments to celebrate kingship, while kings' decrees inscribed on stone stelas were often made public.