Ancient Agora of Athens - Museum of The Ancient Agora

Museum of The Ancient Agora

The museum is housed in the Stoa of Attalos, and its exhibits are connected with the Athenian democracy. The collection of the museum includes clay, bronze and glass objects, sculptures, coins and inscriptions from the 7th to the 5th century BC, as well as pottery of the Byzantine period and the Turkish occupation.

Read more about this topic:  Ancient Agora Of Athens

Famous quotes containing the words museum of the, museum of, museum, ancient and/or agora:

    I have no connections here; only gusty collisions,
    rootless seedlings forced into bloom, that collapse.
    ...
    I am the Visiting Poet: a real unicorn,
    a wind-up plush dodo, a wax museum of the Movement.
    People want to push the buttons and see me glow.
    Marge Piercy (b. 1936)

    I have no connections here; only gusty collisions,
    rootless seedlings forced into bloom, that collapse.
    ...
    I am the Visiting Poet: a real unicorn,
    a wind-up plush dodo, a wax museum of the Movement.
    People want to push the buttons and see me glow.
    Marge Piercy (b. 1936)

    A fallen tree does not rise again.
    Hawaiian saying no. 2412, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)

    When man has neither the strength to subdue his underworld powers—which are really the ancient powers of his old, superseded self; nor the wit to placate them with sacrifice and the burnt holocaust; then they come back at him, and destroy him again. Hence every new conquest of life means a “harrowing of Hell.”
    —D.H. (David Herbert)

    Like those before it, this decade takes on the marketable subtleties of a private phenomenon: parenthood. Mothers are being teased out of the home and into the agora for a public trial. Are we doing it right? Do we have the right touch? The right toys? The right lights? Is our child going to grow up tall, thin and bright? Something private, and precious, has become public, vulgarized—and scored by impersonal judges.
    Sonia Taitz (20th century)