Style
The review of fictional books is a favorite device of Borges (see, for instance, his "pseudo-essay" The Approach to Al-Mu'tasim in Ficciones).
The fictional essayist's vanity, affectation, and hypocrisy "gives the story a satirical coloration" and, along with the reactions of the misunderstanding and unappreciative public, serve to, by contrast, emphasize Quain's "uncompromising purity."
Read more about this topic: An Examination Of The Work Of Herbert Quain
Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.”
—Robert Frost (1874–1963)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)