An Examination of The Work of Herbert Quain - Style

Style

The review of fictional books is a favorite device of Borges (see, for instance, his "pseudo-essay" The Approach to Al-Mu'tasim in Ficciones).

The fictional essayist's vanity, affectation, and hypocrisy "gives the story a satirical coloration" and, along with the reactions of the misunderstanding and unappreciative public, serve to, by contrast, emphasize Quain's "uncompromising purity."

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Famous quotes containing the word style:

    Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.
    Alexander Theroux (b. 1940)

    The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.
    Samuel Butler (1835–1902)

    I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
    Cyril Connolly (1903–1974)