Amsterdam School - Origins of The Amsterdam School

Origins of The Amsterdam School

The Amsterdam School had its origins in the office of architect Eduard Cuypers in Amsterdam. Although Cuypers was not a progressive architect himself, he gave his employees plenty of opportunity to develop. The three leaders of the Amsterdam School Michel de Klerk, Johan van der Mey and Piet Kramer all worked for Cuypers until about 1910. In 1905 Amsterdam was the first city to establish a building code, and the city hired Johan van der Mey afterwards, in the special position as "Aesthetic Advisor", to bring artistic unity and vision to its built environment.

Van der Mey's major commission, the 1912 cooperative-commercial Scheepvaarthuis (Shipping House), is considered the starting point of the movement, and the three of them collaborated on that building. The most Amsterdam School buildings are found in this city. The movement and its followers played an important role in Berlage's overall plans for the expansion of Amsterdam.

The most important architects and virtuoso artists of the Amsterdam School were Michel de Klerk and Piet Kramer. Other members included Jan Gratama (who gave it its name), Berend Tobia Boeyinga, P. H. Endt, H. Th. Wijdeveld, J. F. Staal, C. J. Blaauw, and P. L. Marnette. The journal Wendingen ("Windings" or "Changes"), published between 1918 and 1931, was the magazine of the Amsterdam School movement.

After De Klerk died in 1923 the style lost its importance. The De Bijenkorf Store in the Hague by Piet Kramer of 1926 is considered to be the last example of "classic" Amsterdam School Expressionism.

Read more about this topic:  Amsterdam School

Famous quotes containing the words origins of, origins, amsterdam and/or school:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)

    The Jew is neither a newcomer nor an alien in this country or on this continent; his Americanism is as original and ancient as that of any race or people with the exception of the American Indian and other aborigines. He came in the caravels of Columbus, and he knocked at the gates of New Amsterdam only thirty-five years after the Pilgrim Fathers stepped ashore on Plymouth Rock.
    Oscar Solomon Straus (1850–1926)

    There is nothing intrinsically better about a child who happily bounces off to school the first day and a child who is wary, watchful, and takes a longer time to separate from his parents and join the group. Neither one nor the other is smarter, better adjusted, or destined for a better life.
    Ellen Galinsky (20th century)