Plot
In Paris after WWII, a shy, unassuming "invisible" civil servant, Dusoleil, lives alone and works in a dreary office under a tyrannical boss. His lazy co-workers are unhappy because Dusoleil is a hard worker who finishes his work early. To pass the time, he writes letters to his mother and daydreams about the beautiful Isabelle. Isabelle is kept locked away by her controlling husband, the prosecutor-general with an unsavory past. When Dusoleil miraculously gains the ability to walk through walls, he begins to steal from the rich and give to the poor. He also gains the self-confidence to woo Isabelle, who is intrigued by the news stories about Passepartout, a mysterious criminal who can walk through walls.
Dusoleil's life, as well as Isabelle's and the other characters, takes a rich and, for a while, romantic turn. As Dusoleil admits to being Passepartout, he is put on trial in front of the prosecutor. Before the trial progresses, Isabelle reveals her husband's secret—that he was a Nazi collaborator. Dusoleil is pardoned and he spends one romantic night with Isabelle. When he takes pills that the doctor has given him, mistaking them for aspirin, he loses his magic power. He becomes stuck mid-leap in a wall, and his memory is carried on in story and song.
Read more about this topic: Amour (musical)
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)