In the history of American architecture and the arts, the American Renaissance was the period ca 1876–1917 characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism. The American preoccupation with national identity (or nationalism) in this period was expressed by modernism and technology as well as academic classicism. It expressed its self-confidence in new technologies, such as the wire cables of the Brooklyn Bridge in New York. It found its cultural outlets in both Prairie School houses and in Beaux-Arts architecture and sculpture, in the "City Beautiful" movement, and "also the creation of the American empire.". Americans felt that their civilization was uniquely the modern heir, and that it had come of age. Politically and economically, this era coincides with the Gilded Age and the New Imperialism.
The classical architecture of the World's Columbian Exposition in Chicago, 1893, was a demonstration that impressed Henry Adams, who wrote that people "would some day talk about talk about Hunt and Richardson, La Farge and Saint-Gaudens, Burnham and McKim and Stanford White when their politicians and millionaires were quite forgotten." (The Education of Henry Adams ).
In the dome of the reading room at the new Library of Congress, Edwin Blashfield's murals were on the given theme, The Progress of Civilization.
The exhibition American Renaissance: 1876–1917 at the Brooklyn Museum, 1979, encouraged the revival of interest in this movement.
Famous quotes containing the words american and/or renaissance:
“Someone is always at my elbow reminding me that I am the grand-daughter of slaves. It fails to register depression with me. Slavery is sixty years in the past. The operation was successful and the patient is doing well, thank you. The terrible struggle that made me an American out of a potential slave said “On the line!” The Reconstruction said “Go!” I am off to a flying start and I must not halt in the stretch to look behind and weep.”
—Zora Neale Hurston (1891–1960)
“People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It’s a new kind of togetherness which may seem totally alien, but it’s the togetherness of modern technology.”
—J.G. (James Graham)