American Guild of Variety Artists (AGVA) is an American entertainment union representing performers in variety entertainment, including circuses, Las Vegas showrooms and cabarets, comedy showcases, dance revues, magic shows, theme park shows, and arena and auditorium extravaganzas. It awards the "Georgie Award" (after George M. Cohan) for variety performer of the year. There is some overlap between the jurisdictions of AGVA and Actors' Equity.
AGVA was the successor to the American Federation of Actors organized by Sophie Tucker and others in the late 1930s, and affiliated with the American Federation of Labor. In 1939 the AFL dissolved the AFA due to financial irregularities, and issued a new charter to AGVA (although some members went to Equity instead).
When actress Penny Singleton (who had been active in supporting the 1967 strike of the AGVA-represented Rockettes against Radio City Music Hall), was elected president of AGVA in 1969, she became the first woman to be president of an AFL-CIO union. The current Executive President is poet, songwriter, composer, and singer Rod McKuen, who has held the post for the past 19 years.
Its offices are in New York and Los Angeles.
Famous quotes containing the words american, variety and/or artists:
“Profound as race prejudice is against the Negro American, it is not practically as far- reaching as the prejudice against women. For stripping away the sentimentality which makes Mothers Day and Best American Mother Contests, the truth is that women suffer all the effects of a minority.”
—Pearl S. Buck (18921973)
“Life is a series of diminishments. Each cessation of an activity either from choice or some other variety of infirmity is a death, a putting to final rest. Each loss, of friend or precious enemy, can be equated with the closing off of a room containing blocks of nerves ... and soon after the closing off the nerves atrophy and that part of oneself, in essence, drops away. The self is lightened, is held on earth by a gram less of mass and will.”
—Coleman Dowell (19251985)
“When ... did the word temperament come into fashion with us?... whatever it stands for, it long since became a great social asset for women, and a great social excuse for men. Perhaps it came in when we discovered that artists were human beings.”
—Katharine Fullerton Gerould (18791944)