Production
Hilary Swank took on the role of Executive Producer, working closely with Nair. Filming took place in New York, Toronto, Parkwood Estate in Oshawa, Nova Scotia, Dunnville, Ontario and Niagara-on-the-Lake, Ontario as well as various locations in South Africa. Over the weekend of June 22, 2008, Swank was in Wolfville, Nova Scotia for filming at Acadia University. At the time, although Swank was a pilot-in-training, her appearance in the aerial sequences was limited, with three other women pilots contracted for the flying scenes. Nair was concerned about insurance and liability issues, and opted for professional pilots, Jimmy Leeward and Bryan Regan to do the bulk of the flying in the film. Contemporary newsreel footage of Earhart was interspersed throughout the film while a combination of static, real aircraft and CGI effects was utilized for the flying sequences. Numerous period aircraft, automobiles and equipment were obtained to provide authenticity, including the use of two replica aircraft, a Lockheed Vega and Fokker F.VIIb/3m Tri-motor Friendship (with limited ability to run up engines and taxi). The Lockheed 12A Electra Junior "Hazy Lily" (F-AZLL) used alongside another Electra Junior, filled in for the much rarer Lockheed Electra 10E that Earhart used. Despite the efforts to faithfully replicate the period, numerous historical inaccuracies were evident, as chronicled in some reviews.
At the completion of filming, the two replica aircraft featured in the Earhart transatlantic flights were donated to museums. The Lockheed Vega is now in the collection of the San Diego Air & Space Museum while the Fokker F. VIIB/3M tri-motor is now housed at the Canadian Bushplane Heritage Centre in Sault Ste. Marie, Ontario where it was unveiled in 2009 with a local Amelia Earhart reenactor Kathie Brosemer recounting the story of Earhart's flight in 1928.
Read more about this topic: Amelia (film)
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)