Amanda Forsythe - Opera Roles

Opera Roles

  • Aglaure, Psyché (Lully)
  • Amenaide, Tancredi (Rossini)
  • Amore, Il ritorno d'Ulisse in patria (Monteverdi)
  • Angel, Angels in America (Peter Eötvös)
  • Atalanta, Xerxes (Handel)
  • Barbarina, The Marriage of Figaro (Mozart)
  • Cendrillon, Cendrillon (Pauline Viardot)
  • Cleopatra, Giulio Cesare in Egitto (Handel)
  • Corinna, Il viaggio a Reims (Rossini)
  • Dalinda, Ariodante (Handel)
  • Ellenia, Antiochus und Stratonica (Christoph Graupner)
  • Iris, Semele (Handel)
  • Proserpina, L'Orfeo (Monteverdi)
  • Rosalia, L'equivoco stravagante (Rossini)
  • Serpina, La serva padrona (Pergolesi)
  • Un Trojano, Paride ed Elena (Gluck)
  • Venus, Venus and Adonis (John Blow)
  • Young Margarita, Ainadamar (Osvaldo Golijov)

Read more about this topic:  Amanda Forsythe

Famous quotes containing the words opera and/or roles:

    I have witnessed, and greatly enjoyed, the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.
    Nancy Chodorow (20th century)