History
The alto horn is a member of the sax brass family, developed by the Belgian instrument maker Adolphe Sax in the 1840s. To be very precise, it is a descendant of the saxotromba, because there hasn’t been found a single alto saxhorn so far. The historical alto instruments by Sax that did survive all have inner diameters that are those Sax described in his saxotromba patent. In this patent the soprano voice (descant) is tuned in E flat, which then creates a line: E flat (soprano), B flat (contralto), E flat (Alto). The instrument following the alto saxotromba was described as a baritone in B flat. Therefore, the alto instrument has been named both alto and tenor, because people wanted to be consistent. That’s the reason for the confusion in the name and different names are used depending on the country. Given that the modern instruments all have larger diameters, it now clearly is more a saxhorn than a saxotromba. The tessitura of the instrument is definitely that of the alto voice, so in official documents, it should referred to as an Alto Saxhorn.
In the US, the alto horn is colloquially known as the "peck horn", supposedly because these instruments were employed in band music to "peck away at" the upbeats. This name is mentioned in The Music Man.
Read more about this topic: Alto Horn
Famous quotes containing the word history:
“America is the only nation in history which, miraculously, has gone directly from barbarism to degeneration without the usual interval of civilization.”
—Attributed to Georges Clemenceau (1841–1929)
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (1888–1959)
“The greatest horrors in the history of mankind are not due to the ambition of the Napoleons or the vengeance of the Agamemnons, but to the doctrinaire philosophers. The theories of the sentimentalist Rousseau inspired the integrity of the passionless Robespierre. The cold-blooded calculations of Karl Marx led to the judicial and business-like operations of the Cheka.”
—Aleister Crowley (1875–1947)