Plot
The Goodies tell of the time when their ancestors were young men, and how their ancestors met for the first time.
Graeme's family were Highlanders who lived in bleak conditions in Scotland, where initiation of the young men of the village included being dunked in porridge and catching a wild sporran. Bill's Northern England family sold fruit. Tim, whose ancestors were also English, concludes that they were noble, because the family had its own Coat-of-Arms; Bill reinterprets the Coat of Arms and shows Tim that his ancestors were in fact sheep stealers. None of the Goodies ancestors knew each other at this time.
Then, a bus went around the United Kingdom, taking up all of the young men of the villages — first of all Graeme's ancestor 'Keltic Kilty' was rounded up, with all of the other young men from his village — then Bill's ancestor 'Kinda Kinky' was rounded up, with all of the other young men from his village — and, finally, Tim's ancestor 'Kounty Kutie' was rounded up, with all the other young men in the same sheep 'trade'.
All of the young men who had been captured were then put up for auction as entertainers, and eventually everyone had been bought — apart from 'Kounty Kutie', 'Keltic Kilty' and 'Kinda Kinky', who were forced to work together as entertainers, including on "The Black and White Minstrel Show".
Read more about this topic: Alternative Roots
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)