The Current State of Alternative Culture
Due to subcultures of this nature being in a constant change, they often splinter off into niche groups. They often develop an "old school" crowd who tend to resist "polluting" elements and carry on as before until inevitably evolving themselves. An example is the UK's rave scene, which suffered very badly from tough legislation aimed at it in the mid 1990s (Criminal Justice and Public Order Act 1994), leading to its discreet continuance on a smaller scale, before manifesting itself again on the large scale in the form of the teknival, which retains many of the principles of the original acid house culture.
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“Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.”
—T.S. (Thomas Stearns)
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“If you have abandoned one faith, do not abandon all faith. There is always an alternative to the faith we lose. Or is it the same faith under another mask?”
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“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)