Alphonse Allais (20 October 1854 – 28 October 1905) was a French writer and humorist born in Honfleur, Calvados.
He is the author of many collections of whimsical writings. A poet as much as a humorist, he cultivated the verse form known as holorhyme, i.e. made up entirely of homophonous verses, where entire lines are pronounced the same. For example:
par les bois du djinn où s'entasse de l'effroi,
parle et bois du gin ou cent tasses de lait froid.
Allais wrote the earliest known example of a completely silent musical composition. His Funeral March for the Obsequies of a Deaf Man of 1897 consists of nine blank measures. It predates similarly silent but intellectually serious works by John Cage and Erwin Schulhoff by many years. His prose piece "Story for Sara" was translated and illustrated by Edward Gorey.
Allais participated in humorous exhibitions, including those of the Salon des Arts Incohérents of 1883 and 1884, held at the Galerie Vivienne. At these Allais exhibited arguably the earliest examples of conceptual art: art, his plain white sheet of Bristol paper Première communion de jeunes filles chlorotiques par un temps de neige (First Communion of Anemic Young Girls In The Snow) (1883) and a similar red work Apoplectic Cardinals Harvesting Tomatoes on the Shore of the Red Sea (Study of the Aurora Borealis) (1884).
He died in Paris.
A film based on his novel L'Affaire Blaireau appeared in 1958 as Ni vu, ni connu. Earlier versions with the same title as the original novel appeared in 1923 and 1932.
Miles Kington, humorous writer and musician, translated some of Allais' pieces into idiomatic English as The World of Alphonse Allais.
Honfleur has a street (Rue Alphonse Allais) and a school (Collège Alphonse Allais) named for him. There is a Place Alphonse-Allais in Paris 20ème. The Académie Alphonse-Allais has awarded an annual prize, the Prix Alphonse-Allais, in his honor since 1954.
Read more about Alphonse Allais: Principal Works