Symbols
Crest The columns of Alpha Epsilon Phi were added in 1916, the sorority's seventh year in existence. It was decided to create a simple insignia as opposed to an elaborate crest like that of most other Greek letter organizations. Each column of the insignia holds special significance to the members.
Jewel The pearl was chosen as the national jewel by the founders. They chose the pearl because of its glowing beauty gained through years of growth and the fact that it is a jewel that literally grows.
Colors The colors of green and white were also chosen in the beginning by the founders. They represent growth and fellowship, respectively.
Flower The last symbol of Alpha Epsilon Phi which can be directly attributed to the founders is the flower. The lily of the valley was selected for its simple beauty and for the fact that it is green and white.
Mascot At the 1977 National Convention the giraffe was chosen as the mascot for Alpha Epsilon Phi
Open Motto Multa Corda Una Causa... Many Hearts One Purpose was chosen as the open motto in the early years of the sorority because it best expressed the intentions of the founders of Alpha Epsilon Phi.
Tag Line In 2001, the sorority unveiled its updated image, complete with a new tag line: Above All Else.
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Famous quotes containing the word symbols:
“Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-class parents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement—a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.”
—David Elkind (20th century)
“If the Americans, in addition to the eagle and the Stars and Stripes and the more unofficial symbols of bison, moose and Indian, should ever need another emblem, one which is friendly and pleasant, then I think they should choose the grapefruit. Or rather the half grapefruit, for this fruit only comes in halves, I believe. Practically speaking, it is always yellow, always just as fresh and well served. And it always comes at the same, still hopeful hour of the morning.”
—Johan Huizinga (1872–1945)
“My image is a statement of the symbols of the harsh, impersonal products and brash materialistic objects on which America is built today. It is a projection of everything that can be bought and sold, the practical but impermanent symbols that sustain us.”
—Andy Warhol (1928–1987)