Alma Moodie - Concerto Performances

Concerto Performances

In addition to the performances mentioned above, Alma Moodie's appearances included:

  • Bach Double Violin Concerto in D minor
    • with Georg Kulenkampff and the Berlin Philharmonic Orchestra (BPO) (15 December 1927)
    • with Riele Queling and the BPO under Wilhelm Furtwängler (Berlin, December 1933)
  • Bach Concerto in E major
    • at the Musikkollegium (Winterthur, 25 October 1922)
    • with Furtwängler (Hamburg, 1933)
  • Brahms Concerto in D major:
    • with the Meininger Hofkapelle under Max Reger (Eisenach, 6 December 1913; Hildburghausen, 7 December; Meiningen, 9 December; at these concerts she also played Reger's Suite im alten Stil, Op. 93, with the composer at the piano)
    • under Volkmar Andreae (Zürich, November 1921)
    • with the London Symphony Orchestra under Bruno Walter (London)
  • Busoni concerto (London, 1934) (this is possibly the same occasion as her appearance in London on 12 April 1934 with the London Philharmonic Orchestra under Sir Thomas Beecham)
  • Dvořák Concerto in A minor (Duisburg, October 1921; Carl Flesch made a detour in his own touring schedule just to hear her)
  • Glazunov Concerto in A minor with Furtwängler (Vienna, November 1921)
  • Lalo Symphonie espagnole, BPO (Berlin, 12 December 1919)
  • Mendelssohn Concerto in E minor with Furtwängler (Leipzig, 1923)
  • Mozart "D major concerto" (this could refer to either No. 2 or No. 4) under Peter Hagel, BPO (Berlin, 12 December 1919)
  • Paganini D major concerto under Max von Schillings, BPO (Berlin, 6 November 1919)
  • Pfitzner Concerto in B minor (Berlin and Leipzig 1924; her 50th performance was in Flensburg, March 1929; Gewandhaus, Leipzig, January 1935)
  • Max von Schillings's Violin Concerto, Op. 25, composer conducting BPO (Berlin, 12 December 1919)

Read more about this topic:  Alma Moodie

Famous quotes containing the word performances:

    This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.
    Dorothy Parker (1893–1967)