History and Folklore
A thick growth of ramps near Lake Michigan in Illinois in the 17th century gave the city of Chicago its name, after the area was described by 17th-century explorer Robert Cavelier, sieur de La Salle, and explained by his comrade, the naturalist and diarist Henri Joutel. The plant called shikaakwa (chicagou) in the language of native tribes was once thought to be Allium cernuum, the nodding wild onion, but research in the early 1990s showed the correct plant was the ramp.
The ramp has strong associations with the folklore of the central Appalachian Mountains. Fascination and humor have fixated on the plant's extreme pungency. Jim Comstock, editor and co-owner of the Richwood News Leader, introduced ramp juice into the printer's ink of one issue as a practical joke, invoking the ire of the U.S. Postmaster General.
The mountain folk of Appalachia have long celebrated spring with the arrival of the ramp, believing it to have great power as a tonic to ward off many ailments of winter. Indeed, ramp's vitamin and mineral content did bolster the health of people who went without many green vegetables during the winter.
A ramp bath was featured in the 1974 film Where the Lilies Bloom about life in North Carolina. In the 1987 John Sayles film Matewan, an Appalachian woman in a camp of West Virginia union miners gives a hare to an Italian immigrant woman, along with some ramps "to flavor the stew". The Italian woman smells the ramps and exclaims "aglio!" (garlic!).
Read more about this topic: Allium Tricoccum
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“History is the present. That’s why every generation writes it anew. But what most people think of as history is its end product, myth.”
—E.L. (Edgar Lawrence)
“So, too, if, to our surprise, we should meet one of these morons whose remarks are so conspicuous a part of the folklore of the world of the radio—remarks made without using either the tongue or the brain, spouted much like the spoutings of small whales—we should recognize him as below the level of nature but not as below the level of the imagination.”
—Wallace Stevens (1879–1955)