All Purpose Cultural Cat-Girl Nuku Nuku DASH! - Differences From Previous Adaptations

Differences From Previous Adaptations

Nuku Nuku DASH! is a completely alternate universe, as evidenced by the radical change in the ages and general appearances of most of the characters, though they do tend to retain some of their original look. In DASH!, Nuku Nuku has matured from a 14-16 year old appearance to a 19 year old and is much curvier than in the original OVAs or Nuku Nuku TV. She also sports green hair of a shade so light that it is often mistaken for blonde and golden eyes and has a form of selective memory loss, which is later explained near the end of the series when her memories are regained. She also enters tactical form, in which she can use her andorobot powers, whenever the need arises. The civilians call Nuku Nuku in tactical form, 'Super Dynamite Girl'. Kyusaku is not her creator in DASH! but rather is a friend of her creator, a man known simply as Professor Higuchi. As a result, Nuku Nuku, despite still using the familiar nickname, is actually named Atsuko Higuchi in this series, and Kyusaku's son Ryunosuke falls head over heels in love with Nuku Nuku, occasionally encountering her super heroic alter ego, but does not learn the truth until the end of the series.

Akiko's Henchwomen Arisa and Kyouko switch names with minor changes to their personalities. Arisa is now Kyouko; while in the previous adaptaions she is the impulsive one, she is now more level headed, but is prone to her previous impulsiveness. Kyouko is now Arisa and, while once the voice of reason, is now an airhead.

Read more about this topic:  All Purpose Cultural Cat-Girl Nuku Nuku DASH!

Famous quotes containing the words differences and/or previous:

    The mother must teach her son how to respect and follow the rules. She must teach him how to compete successfully with the other boys. And she must teach him how to find a woman to take care of him and finish the job she began of training him how to live in a family. But no matter how good a job a woman does in teaching a boy how to be a man, he knows that she is not the real thing, and so he tends to exaggerate the differences between men and women that she embodies.
    Frank Pittman (20th century)

    Our talk of external things, our very notion of things, is just a conceptual apparatus that helps us to foresee and control the triggerings of our sensory receptors in the light of previous triggering of our sensory receptors.
    Willard Van Orman Quine (b. 1908)