Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Rolling Stone | |
| Entertainment Weekly | B+ |
| No Depression | favorable |
Music critic Johnny Lofthus, writing for Allmusic, praised the album, calling it "homey and gorgeous" and calling Harmer's voice "starkly beautiful." "There's fully formed adult alternative stuff here, from the robust head-nod lilt of 'Almost' to 'New Enemy's more stately melody... This immediacy helps sell All of Our Names, since music like this can be smothered by over-production." Rolling Stone gave the album 3 of 5 stars, stating it is "suffused with a peaceful fatalism, a mood that's as casually downbeat as Harmer's overcast voice itself."
Entertainment Weekly gave All of Our Names a B+ rating, writing: "While it doesn't top her priceless 2000 debut, You Were Here, the fluid, moody Names comes respectably close. With a voice as silvery and luminous as a full moon, Harmer constructs daring metaphors to convey emotional perplexities... songs like the rueful 'Tether' display Harmer's gift for setting human drama to fresh melodies." Paul Cantin of No Depression praised the album and remarked on its themes of rural life and the outdoors, also writing "... while there’s nothing here that quite reaches the dramatic punch of the latter album’s standout songs... All Of Our Names confirms that Harmer is, by any other name, a formidable, singular talent who has amply rewarded the patience of her fans."
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)