Links To Greek Tragedy
Arthur Miller’s writing in All My Sons often shows great respect for the great Grecian tragedies of the likes of Aeschylus, Sophocles and Euripides. In these plays the tragic hero or protagonist will commit an offence, often unknowingly, which will return to haunt him, sometimes many years later. The play encapsulates all the fallout from the offense into a 24 hour time span. During that day, the protagonist must learn his fault and suffer as a result, and perhaps even die. In this way the gods are shown to be just and moral order is restored. In All My Sons, these elements are all present; it takes place within a 24 hour period, has a protagonist suffering from a previous offense, and punishment for that offense. Additionally, it explores the father-son relationship, also a common theme in Grecian tragedies. Ann Deever could also be seen to parallel a messenger as her letter is proof of Larry's death.
In Joe Keller, Arthur Miller creates just a representative type. Joe is a very ordinary man, decent, hard-working and charitable, a man no-one could dislike. But, like the protagonist of the ancient drama, he has a flaw or weakness. This, in turn, causes him to act wrongly. He is forced to accept responsibility - his suicide is necessary to restore the moral order of the universe, and allows his son, Chris, to live free from guilt and persecution. Arthur Miller later uses the everyman in a criticism of the American Dream in Death of a Salesman, which is in many ways similar to All My Sons.
Read more about this topic: All My Sons
Famous quotes containing the words links, greek and/or tragedy:
“Nor stony tower, nor walls of beaten brass,
Nor airless dungeon, nor strong links of iron,
Can be retentive to the strength of spirit.”
—William Shakespeare (1564–1616)
“Here Greek and Roman find themselves
Alive along these crowded shelves;
And Shakespeare treads again his stage,
And Chaucer paints anew his age.”
—John Greenleaf Whittier (1807–1892)
“The search for conspiracy only increases the elements of morbidity and paranoia and fantasy in this country. It romanticizes crimes that are terrible because of their lack of purpose. It obscures our necessary understanding, all of us, that in this life there is often tragedy without reason.”
—Anthony Lewis (b. 1927)