Alkaliphile - Differences in Alkaliphilic ATP Production

Differences in Alkaliphilic ATP Production

In addition to the method of proton extrusion discussed above, it is believed that the general method of cellular respiration is different in obligate alkaliphiles as compared to neutrophiles. Generally, ATP production operates by establishing a proton gradient (greater H+ concentration outside the membrane) and a transmembrane electrical potential (with a positive charge outside the membrane). However, since alkaliphiles have a reversed pH gradient, it would seem that ATP production – which is based on a strong proton motive force – would be severely reduced. However, the opposite has been shown to be true. It has been proposed that while the pH gradient has been reversed, the transmembrane electrical potential is greatly increased. This increase in charge causes the production of greater amounts of ATP by each translocated proton when driven through an ATPase. Research in this area is ongoing.

Read more about this topic:  Alkaliphile

Famous quotes containing the words differences in, differences and/or production:

    I don’t know what immutable differences exist between men and women apart from differences in their genitals; perhaps there are some other unchangeable differences; probably there are a number of irrelevant differences. But it is clear that until social expectations for men and women are equal, until we provide equal respect for both men and women, our answers to this question will simply reflect our prejudices.
    Naomi Weisstein (b. 1939)

    The mother must teach her son how to respect and follow the rules. She must teach him how to compete successfully with the other boys. And she must teach him how to find a woman to take care of him and finish the job she began of training him how to live in a family. But no matter how good a job a woman does in teaching a boy how to be a man, he knows that she is not the real thing, and so he tends to exaggerate the differences between men and women that she embodies.
    Frank Pittman (20th century)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)