Alice Pearce - Early Life and Career

Early Life and Career

Born in New York City, Pearce was educated in Europe and returned to the United States as an adult. She began working in nightclubs as a comedian and was cast in the original Broadway production of On the Town (1944-1946). Gene Kelly was so impressed by her that she became the only cast member to be included in the film version in 1949. Her comedic performance was well received by critics and public alike, and she was given her own television variety show. More movie roles followed, and she made appearances on Broadway, where she met her husband, director Paul Davis, during a production of Bells Are Ringing.

In 1964 she joined the cast of the television series Bewitched. As the nagging and nosy neighbor, Gladys Kravitz, Pearce's scenes were almost entirely reactions to acts of witchcraft she had witnessed at the house across the street. Her hysterical accusations against Samantha, played by Elizabeth Montgomery, and the disbelief of her husband Abner (George Tobias), provided a common thread through many of the series' early episodes. Pearce was posthumously awarded an Emmy Award for this role.

Read more about this topic:  Alice Pearce

Famous quotes containing the words early, life and/or career:

    The science, the art, the jurisprudence, the chief political and social theories, of the modern world have grown out of Greece and Rome—not by favor of, but in the teeth of, the fundamental teachings of early Christianity, to which science, art, and any serious occupation with the things of this world were alike despicable.
    Thomas Henry Huxley (1825–95)

    A woman can get marries and her life does change. And a man can get married and his life changes. But nothing changes life as dramatically as having a child. . . . In this country, it is a particular experience, a rite of passage, if you will, that is unsupported for the most part, and rather ignored. Somebody will send you a couple of presents for the baby, but people do not acknowledge the massive experience to the parents involved.
    Dana Raphael (20th century)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)