Film Appearances
| Year | Movie title | Role | Director | Notes |
|---|---|---|---|---|
| 1934 | George White's Scandals | Kitty Donnelly/Mona Vale | George White | Film debut |
| 1934 | Now I'll Tell | Peggy Warren | Edwin J. Burke | |
| 1934 | She Learned About Sailors | Jean Legoi | George Marshall | |
| 1934 | 365 Nights in Hollywood | Alice Perkins | George Marshall | |
| 1935 | George White's 1935 Scandals | Honey Walters | George White | Follow-uo to 1934's George White's Scandals |
| 1935 | Every Night at Eight | Dixie Foley/Dixie Dean | Raoul Walsh | |
| 1935 | Music Is Magic | Peggy Harper | George Marshall | |
| 1936 | King of Burlesque | Pat Doran | Sidney Lanfield | |
| 1936 | Poor Little Rich Girl | Jerry Dolan | Irving Cummings | Co-starred Shirley Temple |
| 1936 | Sing, Baby, Sing | Joan Warren | Sidney Lanfield | |
| 1936 | Stowaway | Susan Parker | William A. Seiter | Co-starred Shirley Temple |
| 1937 | In Old Chicago | Belle Fawcett | Henry King | Known as her best acting performance |
| 1937 | On the Avenue | Mona Merrick | Roy Del Ruth | |
| 1937 | You Can't Have Everything | Judith Poe Wells | Norman Taurog | |
| 1937 | Wake Up and Live | Alice Huntley | Sidney Lanfield | |
| 1937 | You're a Sweetheart | Betty Bradley | David Butler | |
| 1938 | Sally, Irene and Mary | Sally Day | William A. Seiter | Remake of 1925 film of the same name |
| 1938 | Alexander's Ragtime Band | Stella Kirby | Henry King | Her most successful musical genre film so far |
| 1939 | Tail Spin | Trixie Lee | Roy Del Ruth | |
| 1939 | Rose of Washington Square | Rose Sargent | Gregory Ratoff | |
| 1939 | Hollywood Cavalcade | Molly Adair Hayden | Irving Cummings | |
| 1939 | Barricade | Emmy Jordan | Gregory Ratoff | |
| 1940 | Little Old New York | Pat O'Day | Henry King | |
| 1940 | Lillian Russell | Lillian Russell | Irving Cummings | Faye named the film as one of her personal favorites |
| 1940 | Tin Pan Alley | Katie Blane | Walter Lang | Co-starred newcomer Betty Grable |
| 1941 | That Night in Rio | Baroness Cecilia Duarte | Irving Cummings | Her last major film success |
| 1941 | The Great American Broadcast | Vicki Adams | Archie Mayo | |
| 1941 | Week-End in Havana | Miss Nan Spencer | Walter Lang | |
| 1943 | Hello, Frisco, Hello | Trudy Evans | H. Bruce Humberstone | Reamke of Faye's earlier film King of Burlesque |
| 1943 | The Gang's All Here | Edie Allen | Busby Berkley | |
| 1944 | Four Jills in a Jeep | Herself | William A. Seiter | Cameo appearance |
| 1945 | Fallen Angel | June Mills | Otto Preminger | Her last film as a major Hollywood star |
| 1962 | State Fair | Mrs. Melissa Frake | José Ferrer | Her "come-back" film |
| 1976 | Won Ton Ton, the Dog Who Saved Hollywood | Secretary at Gate | Michael Winner | Cameo appearance |
| 1978 | Every Girl Should Have One | Kathy | Robert Hyatt | |
| 1978 | The Magic of Lassie | The Waitress ("Alice") | Don Chaffey | Final film appearance |
Read more about this topic: Alice Faye
Famous quotes containing the words film and/or appearances:
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“The appearances of goodness and merit often meet with a greater reward from the world than goodness and merit themselves.”
—François, Duc De La Rochefoucauld (1613–1680)