Algerine - Monuments

Monuments

  • Notre Dame d'Afrique, accessible by one cable car, is one of the city's most outstanding monuments: located in the district of Z' will ghara, the basilica was built around 1858.
  • Monument des Martyrs ( Maquam E' chahid ): an iconic concrete monument commemorating the Algerian war for independence. The monument was opened in 1982 on the 20th anniversary of Algeria's independence. It is fashioned in the shape of three standing palm leaves which shelter the "Eternal Flame" beneath. At the edge of each palm leaf stands a statue of a soldier, each representing a stage of Algeria's struggle.
  • The El Jedid mosque at the Place des Martyrs near the port.
  • Place of the Emir Abdelkader (formerly Bugeaud): in memory of the famous emir Abd El-Kader, resistant during French conquest of Algeria.
  • Grand Post Office (1910, by Voinot and Tondoire): construction of the neo-Moorish type which is in full centre town of Algiers.
  • The Jardin d'essai (Garden of Test; El-Hamma): situated in the east of Algiers, it extends over 80 hectares (198 acres) and contains exotic plants and gardens. It was created in 1832 by A. Hardy.
  • Villa Abd-el-Hair, with the top of the Garden of test, one of the old residences of the dey, where until 1962, were placed the artists prizes winner of Price Abd-el-Hair, and in particular Maurice Boitel and Andre Hamburg.
  • Citadel .
  • Riadh El-Feth (shopping centre and art gallery).
  • Ketchaoua Mosque (This mosque became the Saint-Philippe cathedral during colonization before becoming again a mosque).
  • National Library, is in the district of El HAMMA. Architecture modèrne.
  • The Great Mosque of Algiers at the Rue de la Marine. It is the oldest mosque of Algiers and was built during the reign of the Almoravid sultan Yusuf ibn Tashfin.

Read more about this topic:  Algerine

Famous quotes containing the word monuments:

    If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.
    Leon Trotsky (1879–1940)