Legacy
The Glasgow Institute of Architects set up The Alexander Thomson Memorial immediately following his death. A marble bust of the architect by John Mossman was presented to the Corporation Galleries, Sauchiehall Street, and is now displayed in the Kelvingrove Art Gallery and Museum. The Alexander Thomson Travelling Studentship, of which the second winner was Charles Rennie Mackintosh, was established in his honor, "for the purpose of providing a travelling studentship for the furtherance of the study of ancient classic architecture, with special reference to the principles illustrated in Mr. Thomson’s works".
Thomson was the pre-eminent architect of his era in Glasgow, yet until recently, his buildings and his reputation have been largely neglected in the city graced by his works.
Holmwood House is generally considered to be Thomson's finest and most original residential subject. Under the ownership of the National Trust for Scotland, Holmwood has been restored to its original condition and opened to the general public. During the renovation, nineteen panels of a classical frieze depicting scenes from Homer's Iliad were discovered under layers of paint and wallpaper, rendering Thomson's nickname all the more apt.
In 1999, a retrospective entitled Alexander Thomson: The Unknown Genius was held at the The Lighthouse, reminding Glaswegians of the need to preserve the remaining examples of this unique architect's contribution to their city.
The British emigre architect George Ashdown Audsley closely followed Thomson's ornamentation for several of his secular buildings. The most notable surviving example is his Bowling Green Offices (completed 1896) in New York City. The highly carved granite base of this tall office building is in the Thomson manner with brick Chicago School style floors above.
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 14661536)