Alexander Tairov - Productions

Productions

  • Romeo and Juliet - 1921
    • This set, designed by Exter, employed seven bridges of various heights as well as rope ladders to depict the lovers' obstacles. The set was inlaid with mirrors which were later replaced with foil.
  • Phaedra by Racine - 1922
    • This is the first of Tairov's productions in which emotion was the primary focus. Alice Koonen played Phaedra, and entered draped in a heavy purple cape of velvet. This image was contrasted with her appearance in a red cape for the confession scene. The set was modeled on the image of a listing ship with several off-kilter platforms.
  • Girofle-Girofla - 1922
    • This comic operetta is set around the confusion involving twins, both played by Koonen. The set was made up of folding ladders, revolving mirrors, and trap doors.
  • The Man Who Was Thursday - 1924
    • Tairov staged this play by Sigizmund Krzhizhanovsky (1887–1950), based on G. K. Chesterton's fantastic novel, at the Kamerny theatre in Moscow. Chesterton lamented this "misreading" by the Russians several times later in life, most prominently in his 1936 autobiography.
  • Desire Under the Elms - 1930
    • The Moscow production was followed by a mock trial for Abbie and Eben. Tairov was a witness for the defense and legal experts and psychiatrists took part as well. The trial ended at 2am with the acquittal of the defendants. O'Neill saw the production when it toured to Paris and loved it.

Read more about this topic:  Alexander Tairov

Famous quotes containing the word productions:

    “Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
    —Thomas Brackett Reed (1839–1902)

    “It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.”
    —Herman Melville (1819–1891)

    “Eternity is in love with the productions of time.”
    —William Blake (1757–1827)