In Fiction
Alexander II appears prominently in the opening two chapters of Jules Verne's Michael Strogoff (published in 1876 during Alexander's own lifetime). The Emperor sets the book's plot in motion and sends its eponymous protagonist on the dangerous and vital mission which would occupy the rest of the book. Verne presents Alexander II in a highly positive light, as an enlightened yet firm monarch, dealing confidently and decisively with a rebellion. Alexander's liberalism shows in a dialogue with the chief of police, who says "There was a time, sire, when NONE returned from Siberia", to be immediately rebuked by the Emperor who answers: "Well, whilst I live, Siberia is and shall be a country whence men CAN return."
In The Tiger in the Well, Philip Pullman refers to the assassination — though he never names Alexander — and to the pogroms that followed. The anti-Jewish attacks play an important role in the novel's plot.
Oscar Wilde's first play Vera; or, The Nihilists, written in 1880 – Alexander II's last year – features Russian revolutionaries who seek to assassinate a reform-minded Emperor (and who, in the play, ultimately fail in their plot). Though Wilde's fictional Emperor differs from the actual Alexander, contemporary events in Russia – as published in the British press of the time – clearly influenced Wilde.
Read more about this topic: Alexander II Of Russia
Famous quotes containing the word fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“Although the primitive in art may be both interesting and impressive, as portrayed in American fiction it is conspicuous for dullness alone. Drab persons living drab lives, observed by drab minds and reported in drab writing ...”
—Ellen Glasgow (18731945)