Life and Work
Comfort served as a House Physician at the London Hospital and went on to become a lecturer in physiology at the London Hospital Medical College. In 1945 he obtained the Conjoint Board's Diploma in Child Health, and progressed to a PhD in 1950 and a DSc of University College, London in 1963.
A leading pacifist, Comfort considered himself "an aggressive anti-militarist", and he believed that pacifism rested "solely upon the historical theory of anarchism". He was an active member of the Peace Pledge Union (PPU) and Campaign for Nuclear Disarmament, and a conscientious objector in World War II.
Among the works on anarchism by Comfort is Peace and Disobedience (1946), one of many pamphlets he wrote for Peace News and PPU, and Authority and Delinquency in the Modern State (1950). He exchanged public correspondence with George Orwell defending pacifism in the open letter/poem, "Letter to an American Visitor", under the pseudonym "Obadiah Hornbrooke".
Comfort's 1972 book The Joy of Sex earned him worldwide fame and $3 million. But he was unhappy to become known as "Dr. Sex" and to have his other works given so little attention.
Comfort devoted much of the 1950s and 1960s studying the biology of aging (biogerontology) and popularized the subject. He could be called an early biomedical gerontologist (life extensionist) on the basis of his view that science could extend human lifespan. In 1969 he suggested that life expectancy (not simply maximum life span) could be extended to 120 years of age within the next 20 years. Although Comfort believed that aging could be postponed, he did not believe that it could be eliminated, and he did not write about rejuvenation.
Read more about this topic: Alex Comfort
Famous quotes containing the words life and/or work:
“It is not growing like a tree
In bulk, doth make man better be,
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
A lily of a day
Is fairer far in May
Although it fall and die that night;
It was the plant and flower of light.
In small proportions we just beauties see,
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“The true poem is not that which the public read. There is always a poem not printed on paper,... in the poet’s life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery.”
—Henry David Thoreau (1817–1862)