Film and Television
Literary alchemy has been extended to film and television. The alchemical quest is plainly visible to the audience in movies such as The Holy Mountain (1973). The Vanishing (1988) is a less conspicuous example. Based on The Golden Egg, this film features direct alchemical devices such as the appearance of the Mutus Liber. More significantly, the plot can be seen alchemically, as the villain completes a twisted interpretation of the alchemical great work. In the American remake of The Vanishing(1993), the alchemical elements were stripped.
Alchemical influence may also be seen in film adaptations of myths and legends. Evidence of an alchemical interpretation of Jason and the Golden Fleece can be found as early as the writings of John of Antioch (seventh century). The alchemical ties to this (and other) myths continued through to Renaissance alchemists, notably in the fifteenth century alchemical book Aureum vellus (Golden Fleece) attributed to Solomon Trismosin. Newer incarnations of these stories like Jason and the Argonauts (1963 film) have the capacity to carry forward alchemical allegory on film. Movies like the Harry Potter film series, serve the same function for more recent fiction.
Like other twentieth century forms of entertainment, movies and shows featuring alchemy often include elements of magic and fantasy. Sometimes this extends to magic realism as is in Parash Pathar (1958). This same sort of portrayal can be found in science fantasy movies like 9 (2009), or in fantasy films like The Dark Crystal (1982).
Read more about this topic: Alchemy In Art And Entertainment
Famous quotes containing the words film and, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“A film is a petrified fountain of thought.”
—Jean Cocteau (1889–1963)
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)