Drama
Apart from being an important figure in Welsh poetic circles Cynan was also influential in the field of Welsh drama. He wrote two full length plays: Hywel Harris won the premier Eisteddfod prize for drama in 1931. He was commissioned to write an exemplary play for the National Eisteddfod in 1957 – his offering Absolom Fy Mab was accepted to great critical acclaim in Welsh dramatic circles as were his translations of English Language plays John Masefield's Good Friday and Norman Nicholson's The Old Man of the Mountain.
In 1931 he was appointed reader of Welsh plays on behalf of the Lord Chamberlain, a post which he held till the abolition of censorship in 1968. He was seen as a liberal censor, having allowed James Kitchener Davies' drama Cwm Glo, a play full of "filth and depravation" to be performed after it won the drama prize in the 1934 Eisteddfod.
Cynan made regular appearances on Welsh language radio and TV programmes, and he was the subject of the first Colour TV programme broadcast in the Welsh Language Llanc o Lŷn.
Read more about this topic: Albert Evans-Jones
Famous quotes containing the word drama:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)
“Show me one thing here on earth which has begun well and not ended badly. The proudest palpitations are engulfed in a sewer, where they cease throbbing, as though having reached their natural term: this downfall constitutes the heart’s drama and the negative meaning of history.”
—E.M. Cioran (b. 1911)