Stage and Screen Portrayals
A regular feature of Bremner, Bird and Fortune is a satirical version of Campbell's discussions with Tony Blair, in which Rory Bremner plays Blair and Andrew Dunn plays Campbell. In 2005, Campbell was played by Jonathan Cake in the Channel 4 television film The Government Inspector, based on the David Kelly Case. The following year, he was portrayed by Mark Bazeley in the Stephen Frears film The Queen - a role reprised by Bazeley in 2010 follow-up The Special Relationship, also written by Peter Morgan but this time directed by Richard Loncraine. Alex Jennings, who portrayed Prince Charles in The Queen, portrayed Campbell in the television drama A Very Social Secretary. In an episode of Dead Ringers his close relationship with Tony Blair is satirized in an imaginary scenario where Tony is divorcing his wife. He is asked if it will be difficult to sack the person he most loves and cherishes replying "I'm not sacking Alastair Campbell"
It is also hinted that the character of Malcolm Tucker from the BBC political satire comedy The Thick of It is loosely based on Campbell. Tucker is famous for his short fuse and use of very strong language. Campbell himself seems to have a few qualms about being associated with the character. In an interview with Mark Kermode on BBC2's The Culture Show, he denied that the two are similar in any relevant way, but admitted to his liberal use of profanities in the workplace.
Read more about this topic: Alastair Campbell
Famous quotes containing the words stage, screen and/or portrayals:
“These have been wonderful years. How many happy, happy times we have traveled about together! Day and night, in stage coaches, on freight trains, over the mountains and across the prairies, hungry and tired, we have wandered. The work was sometimes hard and discouraging but those were happy and useful years.”
—Susan B. Anthony (18201906)
“We like the chase better than the quarry.... And those who philosophize on the matter, and who think men unreasonable for spending a whole day in chasing a hare which they would not have bought, scarce know our nature. The hare in itself would not screen us from the sight of death and calamities; but the chase, which turns away our attention from these, does screen us.”
—Blaise Pascal (16231662)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video pastthe portrayals of family life on such television programs as Leave it to Beaver and Father Knows Best and all the rest.”
—Richard Louv (20th century)