Design
In conjunction with the Army Institute of Heraldry, the medal was designed by Susan Gamble, a professional artist and Master Designer for the U.S. Mint. Her husband, Mike Gamble, is an Air Force colonel, and she was quoted by the Washington Post as saying, "It was just a real pleasure to give this back to the Air Force that's been part of my life." She based the medal on an insignia painted on an aircraft piloted in World War I by General Billy Mitchell, generally known as the father of the Air Force.
A laurel wreath surrounds an eagle emblem executed in a simple, linear Art Deco style. The eagle faces right, over the right talon clutching arrows, to reflect that this is a combat medal. The left talon clutches an olive branch. The ribbon's diagonal stripe at first could not be manufactured in the United States; but military medals cannot be manufactured outside the U.S. This design problem was resolved when a mill in Bally, Pennsylvania, Bally Ribbon Mills, bought a new loom specifically to weave the diagonal stripe. A Rhode Island firm, Ira Green Inc. in Providence, made the metal parts.
The medal is the only Federal award of the United States military to have a diagonally patterned ribbon, much like various British awards (such as the Distinguished Flying Cross).
Read more about this topic: Air Force Combat Action Medal
Famous quotes containing the word design:
“The reason American cars don’t sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That’s why the American auto industry is in trouble: no design, no desire.”
—Karl Lagerfeld (b. 1938)
“If I commit suicide, it will not be to destroy myself but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will.”
—Antonin Artaud (1896–1948)
“We find that Good and Evil happen alike to all Men on this Side of the Grave; and as the principle Design of Tragedy is to raise Commiseration and Terror in the Minds of the Audience, we shall defeat this great End, if we always make Virtue and Innocence happy and successful.”
—Joseph Addison (1672–1719)