Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
The album was generally well received in the media and remains sometimes considered as "one of the most successful", even the singer's "best album". When the album was released, the press said: "Mylène shows an imagination and a new maturity in these charming libertine poems and her synthetic hits containing literary references" (20 Ans). This "great" (Gaipied) and "successful" (Dernières Nouvelles d'Alsace) album has "an intellectual and musical universe always so creative" (Gaipied). Its songs were described as "powerful, sometimes catchy and often spellbinding compositions" (Paris Nuit), whose texts are "chiseled but perfectly licentious" (France Soir). The "poetic quality of the texts" and "the sense of the melody" (Le Télégramme) were also mentioned. Rock and Folk said this Laurent Boutonnat's production is "impeccable", demonstrating his "undoubted talent". According to Télé Poche, "the time of success has come for Mylène Farmer" with this album. The journalist Caroline Bee said this album is "an ambiguous, bright, romantic and beautifully produced gem".
Some criticisms were also made against Ainsi soit je... For example, according to L'Humanité, this album uses an "old-fashioned stylistic mannerism to reinvent poetry" (L'Humanité). Rock Land qualified this album as a "second collection of bad thoughts with a spectacular flippantly", whose "B-side is flat".
Read more about this topic: Ainsi Soit Je...
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