Reception
Mania's Danielle Van Gorder felt the prose of the first novel was "florid", and criticized the finishing point of the second novel as anticlimactic. She found the characterization of Iason in the third novel to be realistic and compelling, and felt the theme of the fourth novel was power. Jonathon Clements compared Yoshihara's writing style to "Ranpo Edogawa's sexually charged mysteries" and felt Ai no Kusabi shared themes with Shōzō Numa's science fiction.
Patrick Drazen has described the Ai no Kusabi OVA as a "magnum opus" of the yaoi genre, and the setting as dystopian, similar to Fritz Lang's Metropolis. Jonathon Clements and Helen McCarthy liken the society of Ai no Kusabi to that of Ancient Greece, where power was restricted to a class and women do not figure significantly. They consider it ironic that Jupiter is a feminine computer, and describe her as being like Ghost in the Shell's Motoko Kusanagi — Jupiter is "a man-made idea of the female in a world run by masculine elites". Anime News Network's Maral Agnerian praised its interesting, well-developed plot and "fleshed out and complex" work. She also praises it for being one of the few series from its time to contain "actual gay sex in it instead of the usual angsty moping and shoujo-esque sparkly kisses", while noting that the scenes are primarily in the second episode. Anime News Network's Justin Sevakis highlighted the OVA as a "Buried Treasure", calling it "one of the best yaoi anime". He described Riki and Iason as both being "alpha-males", rather than a seme/uke pairing, and noted how the costuming was elegant for the higher eschelons of society and revealing for the lower classes. He criticized the OVA's adaptation of the story, explaining that it was assumed all viewers would be already familiar with the tale through Shousetsu June.
Read more about this topic: Ai No Kusabi
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