The African Black Swift or African Swift (Apus barbatus) is a small bird in the swift family. It breeds in Africa discontinuously from Liberia, Cameroon, Zaire, Uganda and Kenya south to South Africa, and on Madagascar. The breeding habitat is damp mountains, typically between 1,600 - 2,400 m, but less often at lower altitudes. This species feeds readily over lowland, and can form very large flocks, often with other gregarious swifts.
The nominate South African subspecies is migratory, wintering further north. Other subspecies are resident. Of the other seven accepted forms, the most widespread is the small dark A. b. roehli of east Africa. Two other dark races, A. b. balstoni and A. b. mayottensis, are restricted to Madagascar and the Comoro Islands respectively. It has been suggested that some balstoni migrate to the continental mainland when not breeding, but this has not been proved.
East African birds nest in hollow trees, whereas in South Africa this species uses cliffs, usually inland but also on the coast. The African Black Swift is a colonial breeder, sometimes forming mixed colonies with alpine swifts. The nest is a shallow grass cup glued to the substrate with saliva, and the typical clutch is one or two eggs.
The African Black Swift is 16–18 cm long and bulky like a pallid swift; it appears entirely blackish-brown except for a small white or pale grey patch on the chin which is not visible from a distance. It has a short forked tail and very long swept-back wings that resemble a crescent or a boomerang. This species is very similar to common swift but can be distinguished under optimum viewing conditions by the contrast between its black back and paler secondary wing feathers. The heavier build also gives it a distinctive flight action, which consisted of a steady level flight interspersed with short glides.
The call is a loud double rasped hissing scream zzzzzzzZZZTT, dissimilar to that of its confusion species.
Famous quotes containing the words african black, african, black and/or swift:
“I always draw a parallel between oppression by the regime and oppression by men. To me it is just the same. I always challenge men on why they react to oppression by the regime, but then they do exactly the same things to women that they criticize the regime for.”
—Sethembile N., South African black anti-apartheid activist. As quoted in Lives of Courage, ch. 19, by Diana E. H. Russell (1989)
“So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.”
—Zora Neale Hurston (18911960)
“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)
“Jerry: Shes one of those third-year girls that gripe my liver.
Milo: Third-year girls?
Jerry: Yeah, you know, American college kids. They come over here to take their third year and lap up a little culture. They give me a swift pain.
Milo: Why?
Jerry: Theyre officious and dull. Theyre always making profound observations theyve overheard.”
—Alan Jay Lerner (19181986)