Performance, Competition and Social Dance
In a dance culture there is often no distinction between 'dance' spaces and 'non-dances spaces'. Dance and rhythmic movement are as much a part of everyday life as language. In many cases dance has played a more central role than literacy (especially during slavery), particularly in the communication of history, tradition and culture between generations, much as has oral culture. Competition has long played an important role in social dance in African and African American social dance, from the 'battles' of hip hop and lindy hop to the cakewalk. Performances have also been integrated into everyday dance life, from the relationship between performance and social dancing in tap dancing to the 'shows' held at Harlem ball rooms in the 1930s.
Here's a demonstration and explanation of the roots of African-American social dance by Thomas F. DeFrantz, a professor of dance and African American studies at Duke University.
Read more about this topic: African-American Dance
Famous quotes containing the words competition, social and/or dance:
“The elements of success in this business do not differ from the elements of success in any other. Competition is keen and bitter. Advertising is as large an element as in any other business, and since the usual avenues of successful exploitation are closed to the profession, the adage that the best advertisement is a pleased customer is doubly true for this business.”
—Madeleine [Blair], U.S. prostitute and “madam.” Madeleine, ch. 5 (1919)
“Becoming more flexible, open-minded, having a capacity to deal with change is a good thing. But it is far from the whole story. Grandparents, in the absence of the social institutions that once demanded civilized behavior, have their work cut out for them. Our grandchildren are hungry for our love and approval, but also for standards being set.”
—Eda Le Shan (20th century)
“There are those who dance to the rhythm that is played to them, those who only dance to their own rhythm, and those who don’t dance at all.”
—José Bergamín (1895–1983)