Music
Version of 1778.
- Click to hear piano reduction (Ogg format, 250K)
Musically, the work is notable for the parallel descending thirds and sixths that shift from part to part. Some renditions of this hymn (for example, the practice of Sacred Harp singer) follow a practice recommended by Billings himself and include male singers on the treble, singing an octave down, as well as female singers on the tenor part, singing an octave higher.
Read more about this topic: Africa (William Billings)
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“O I shall hear skull skull,
Hear your lame music,
Believe music rejects undertaking,
Limps back.”
—Owen Dodson (b. 1914)
“But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.”
—William Butler Yeats (18651939)
“The man that hath no music in himself,
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Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
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Let no such man be trusted.”
—William Shakespeare (15641616)