Characters
- Sohei Toge (峠 草平, Tōge Sōhei?): A Japanese reporter sent to Germany to cover the 1936 Olympics only to find his younger brother murdered. He then proceeds to investigate who killed his brother and why, leading him into a dangerous web of espionage during World War II.
- Isao Toge (峠 勲, Tōge Isao?): A Japanese international student studying in Germany. When he discovers a shocking secret, he is brutally murdered.
- Adolf Kaufmann (アドルフ・カウフマン, Adorufu Kaufuman?): A half-Japanese, half-German boy living in Kobe and who has no real interest in the Nazi Party at first, but later joined Sicherheitsdienst, then Gestapo.
- Wolfgang Kaufmann (ヴォルフガング・カウフマン, Vorufugangu Kaufuman?): Adolf Kaufmann's father and a strong follower of Adolf Hitler. He works for the German Consulate General in Kobe.
- Yukie Kaufmann (由季江・カウフマン, Yukie Kaufuman?): Wolfgang's wife and mother to Adolf. She is unaware of what her husband is doing for the Nazi Party.
- Adolf Kamil (アドルフ・カミル, Adorufu Kamiru?): A Jewish-German boy who considers himself Japanese, and who accidentally learns the secret behind Adolf Hitler's ancestry.
- Isaac Kamil: Adolf Kamil's father and a Jewish man who seeks to actively help other Jews around the world. He was murdered by Adolf Kaufmann while in Germany.
- Acetylene Lamp: A member of the Nazi Party and the Far East Chief of German Intelligence.
- Adolf Hitler: The German dictator himself.
- Richard Sorge: A Communist Russian spy who existed outside of fiction and plays a prominent role towards the end of the story.
- Eliza Gerd Hymer (エリザ・ゲルトハイマー, Eliza Gerd Hymer?): A Chinese Jewish girl living in Germany. She escapes and lefts her family to live with her fiance Adolf Kamil. Kaufmann rapes her. Kamil's mother was killed by an American h-bomb plane. Today, Eliza is the widow of Adolf Kamil and lives in Israel.
Read more about this topic: Adolf (manga)
Famous quotes containing the word characters:
“Socialist writers are made of sterner stuff than those who only let their characters steeplechase through trouble in order to come out first in the happy ending of moral uplift.”
—Christina Stead (1902–1983)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)