Design & Development
The ADEN (named for the Armament Development Establishment, where it was designed, and Enfield, where it was produced) was developed in the late 1940s as a replacement for the older Hispano-Suiza HS.404 20 mm cannon used in British aircraft of World War II. It is based (as are the French DEFA cannon and American M39 cannon) on the mechanism of the German Mauser MG 213C, an experimental revolver cannon designed for the Luftwaffe, but never used in combat. The ADEN entered service on the Hawker Hunter in 1954, and subsequently used on every British gun-armed aircraft until the advent of the Panavia Tornado in the 1980s.
The current version is the ADEN Mk 4. Although its muzzle velocity of 2,430 ft/s (741 m/s) is considerably lower than the Hispano's 2,789 ft/s (850 m/s), the substantially larger and heavier projectile makes the ADEN more lethal, and it has a higher rate of fire of about 1,300 rounds per minute.
An improved version, the ADEN Mk 5, incorporates a multitude of small changes to improve reliability and increase rate of fire slightly to 1,500–1,700 rounds per minute. No new Mk 5s were built, but many older weapons were converted, being redesignated Mk 5 Straden.
Aircraft using the ADEN 30 as in-built armament have included the A-4S Skyhawk, English Electric Lightning, Folland Gnat (and HAL Ajeet), Hawker Hunter, Gloster Javelin, Saab Lansen, Saab Draken, SEPECAT Jaguar, Supermarine Scimitar, and CAC Sabre. Several podded versions exist, including the installations scabbed below the fuselage of British Hawker Siddeley Harrier (and USMC AV-8A/Cs) and Sea Harriers and the Swedish FFV Aden, which is used (among others) on the BAE Hawk. The FFV Aden contains the weapon and 150 rounds of ammunition, is 151.57 in (3.85 m) long, and weighs 802.5 lb (364 kg) fully loaded.
The ADEN is very similar to the French DEFA cannon, and the two weapons use the same range of 30 mm ammunition.
Read more about this topic: ADEN Cannon
Famous quotes containing the words design and/or development:
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)