Additive Meter

Additive Meter

The time signature (also known as meter signature, metre signature, bar signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats are in each measure and which note value constitutes one beat. In a musical score, the time signature appears at the beginning of the piece, as a time symbol or stacked numerals (such as or 3
4) (read "common time" and "three four time", respectively) immediately following the key signature (or immediately following the clef if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter.

There are various types of time signatures, depending on whether the music follows simple rhythms or involves unusual shifting tempos, including: simple (such as 3
4 or 4
4), compound (e.g., 9
8 or 12
8), complex (e.g., 5
4 or 7
8), mixed (e.g., 5
8 & 3
8 or 6
8 or 3
4), additive (e.g., 3+2+3
8), fractional (e.g., 2½
4), irrational meters (e.g., 3
10 or 5
24), or other meters.

Read more about Additive Meter:  Simple Time Signatures, Compound Time Signatures, Beat and Time, Most Frequent Time Signatures, Complex Time Signatures, Mixed Meters, Irrational Meters

Famous quotes containing the word meter:

    Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning “When” are much more numerous than those beginning “Where” of “If.” As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.
    William Harmon (b. 1938)