Transition From Old Order To The New Order
With Sukarno being increasingly influenced by the Indonesian Communist Party (PKI) in his policies, Malik set up the Preservation Institution of Sukarnoism (BPS). This organization aimed to translate Sukarnoist ideas in a non-Communist sense and to use the name Sukarno to criticise the PKI. Sukarno was not oblivious to this and banned BPS in 1965. Together with General Abdul Haris Nasution and Ruslan Abdulgani, Malik was despised by the PKI for his anti-Communist stance.
1966 was the year which saw Sukarno lose his executive powers as he passed them over to Lieutenant General Suharto through a Presidential decree known as Supersemar. Although Sukarno continued to keep the title of President, all the de facto power was in the hand of Suharto. A Cabinet reshuffle followed in which Malik took up the position of Minister of Foreign Affairs. Malik, together with Suharto and Hamengkubuwono IX formed a triumvirate as they sought to reverse Sukarno's policies.
As Foreign Affairs Minister, Malik conducted trips to Western countries to reschedule debt payments. Malik also quit the Murba Party that year to put himself more in line with the new regime's more open economic policies. The Murba Party having been a party that rejected foreign investments. In 1967, Malik, together with the Foreign Ministers of Malaysia, Philippines, Thailand and Singapore would officially form ASEAN in a bid to form a united front in the face of Communist expansion in Vietnam.
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“A transition from an author’s books to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but, when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.”
—Samuel Johnson (1709–1784)
“A transition from an author’s books to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but, when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.”
—Samuel Johnson (1709–1784)
“The earlier works of a man of genius are always preferred to the newer ones, in order to prove that he is going down instead of up.”
—Victor Hugo (1802–1885)