Adam Adamant Lives! - Character

Character

The main character originally went through a number of possible names: "Cornelius Chance", "Rupert De'Ath", "Dick Daring", "Dexter Noble", "Aurelian Winton", "Magnus Hawke" and even "Darius Crud" before Sydney Newman settled on Adam Adamant, named after the generic mineral term adamantine, which, since medieval times, has commonly referred to diamond. In the opening episode, "A Vintage Year for Scoundrels", Adam Llewellyn De Vere Adamant – to give him his full name – is a swashbuckling Victorian gentleman adventurer who, in 1902, goes to rescue his kidnapped girlfriend Louise, but is lured into a trap whereupon he is captured and condemned to be frozen forever in a block of ice by his arch-nemesis, the Face, whose identity is concealed behind a leather mask and who speaks in a sinister whispering voice. The Face grants his helpless prisoner one last request, and Adam asks to see Louise. But in his last moments of life before being frozen, Adam learns to his horror that Louise had faked her kidnapping and had been working for the Face all along.

Adam is found in 1966, when a building is being knocked down, and he is revived. On emerging from a hospital and collapsing on the London streets, Adam is rescued by Georgina Jones and taken to her flat. Though in many ways a typical swinging sixties chick, Georgina had grown up idolising Adam through tales of his turn-of-the-century exploits. She tries to get in on all his cases, despite his efforts to stop her, and often manages to get a job at the scene in question at a moment's notice so she can interfere in the case. The part originally went to Ann Holloway in the untransmitted pilot episode, but was recast with Juliet Harmer as it was felt that Holloway's performance did not fit the series.

Adam is an expert swordsman; he carries a swordstick and will cold-bloodedly kill any enemy. He was a Colonel and has been on the volunteer strength of the 51st Yeomanry since 1895 – though he is naturally listed on their official records as being "missing, presumed killed" since 1902. He is also a good boxer and occasionally demonstrates proficiency in jujitsu, which had been introduced to England several years before he was frozen. Adam immediately became embroiled in the criminal world of the 1960s when Georgina was threatened after almost being witness to the murder of her grandfather by protection racketeers at a disco. Though there is no indication of where his money comes from or how he supports himself, Adam rebuilt his old home, the long demolished 26A Albany Street, on the top of a multi-storey car park, which he had bought, at 17 Upper Thames Street in central London. It is accessed by a lift hidden on the other side of a sliding wall, activated from the outside by pressing a cleverly hidden call button. He also purchased a Mini Cooper S with the personalised numberplate AA 1000. He occasionally does a job for the British Government, as in "More Deadly Than the Sword." Although it is never confirmed on-screen, there is the possibility that Adam had a bank account back in the Edwardian era and, between his being frozen in 1902 and revived in 1966, he would have earned quite a lot in compound interest over the years. But this is just a theory; whether this may have happened or not is perhaps best left to personal preference. When he is knocked unconscious, Adam usually dreams of how he was caught by the Face and of Louise telling him: "So clever, but oh so vulnerable." This is apt, as many women take advantage of his Victorian naïveté.

During the second episode, "Death Has a Thousand Faces", the events of which are set in Blackpool, he acquires a manservant in the form of former music hall artiste and present Punch and Judy man William E. Simms. The character was originally to have been played by John Dawson, who hurt his back lifting an actress during rehearsals for "The Sweet Smell of Disaster" and was unable to continue; the part was recast, going instead to Jack May. In terms of fashion, the series captured well the gradual shift in 1966/67 from the "mod" styles of "Swinging London" to the more Bohemian (eventually hippie) styles that characterised the late sixties. Adam has his 100th birthday in the final episode, "A Sinister Sort of Service", and gets a telegram from the Queen (a UK custom for people who have reached that age), as well as a birthday cake bearing one hundred candles.

The opening episode of Series 2, "A Slight Case of Reincarnation", saw the return of the Face, who had not been seen since "A Vintage Year for Scoundrels"; his reappearance in the present day being explained by his having frozen himself back in 1902, with Louise (who, of course, aged naturally) watching over him during the years in between until the time came for him to be revived. The Face appeared in five more episodes during Series 2 – namely "Black Echo", "Face in a Mirror", "Tunnel of Death", "The Resurrectionists" and "A Sinister Sort of Service" – in which he would urge on the main villain(s) of each story, but while Adam would defeat the villain(s) on each occasion, the Face himself would never be captured or vanquished, always escaping to fight another day and vowing vengeance on Adam when they met next time.

Though he didn't really need them, Gerald Harper wore false eyebrows based on the make-up lady's own eyebrows. He also wore a wig. Harper was a bit shortsighted and wore glasses, which he removed as soon as filming was ready to start. His shortsightedness did cause opponents to keep their distance in sword-fights since, as one actor put it, he could have inadvertently knocked their eye out. When the series ended, the make-up lady sewed the eyebrows onto a sampler, with "Here lie the Eyebrows of Adam Adamant, 1966-1967" underneath, which was framed and given to Harper as a memento. Harper also kept Adam's swordstick, and both remain on his wall at home to this day.

Read more about this topic:  Adam Adamant Lives!

Famous quotes containing the word character:

    [A]s a lady adjusts her dress before a mirror, a man adjusts his character by looking at his journal.
    James Boswell (1740–1795)

    The reason why parents mistreat their children has less to do with character and temperament than with the fact that they were mistreated themselves and were not permitted to defend themselves.
    Alice Miller (20th century)

    What is character but the determination of incident? What is incident but the illustration of character?
    Henry James (1843–1916)