Actuality Film - Related Genres

Related Genres

Certain types of early films lumped into the actuality genre are merely related forms and do not entirely belong to the designation. While sporting events—particularly boat and yacht races—figure into the actuality genre, fight films constitute a genre unto themselves. The first fight films, such as Edison's The Hornbacker-Murphy Fight (1894) actually precede the advent of actualities altogether and, as the genre evolved through 1916, consisted of a mixture of actual, recreated and staged bouts. The fixed camera position common in early cinema was a good match for taking in even many rounds of boxing, and interest in such subjects was further supported by the fact that boxing itself was illegal in most places, and the films provided access to such entertainment where live boxing matches were prohibited by law.

Recreations of various kinds typify early kinds of news coverage; as the camera could not be brought to so many events of public significance or interest, the events were brought before the cameras, with actors and/or models of various kinds employed. This was especially common during the Spanish American War; although cameras were dispatched to the front in Cuba, the footage sent back was often disappointing, so it was more effective to find a setting in New Jersey and to restage the battle scenes with actors. These films were often promoted to exhibitors and the public alike as the real thing, but "recreations" are inherently oxymoronic in relation to "actualities."

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Famous quotes containing the word related:

    The near explains the far. The drop is a small ocean. A man is related to all nature. This perception of the worth of the vulgar is fruitful in discoveries. Goethe, in this very thing the most modern of the moderns, has shown us, as none ever did, the genius of the ancients.
    Ralph Waldo Emerson (1803–1882)