Plot
In the 1830s in the Rocky Mountains, fur trapper Flint Mitchell (Clark Gable) meets at the summer "Rendezvous" with other mountain men, cashing in his furs, drinking, and enjoying contests among his friends. He organizes a hunting "brigade" into the beaver-rich Blackfoot territory, buying horses and recruiting trappers, despite protests from his Scottish friend and former trading partner, Brecan (John Hodiak), who lives among the Blackfoot and warns him that the land belongs to them. Flint outbids Brecan for Kamiah (María Elena Marqués), the granddaughter of Blackfoot medicine man Bear Ghost and adopted daughter of a Nez Perce chief, Looking Glass (J. Carrol Naish). Brecan wants to return her to the Blackfoot, to promote peace between the tribes, while Flint wants to marry Kamiah and ensure the brigade's safety.
Pierre (Adolphe Menjou), a French Canadian trapper, and Captain Humberstone Lyon (Alan Napier), another Scotsman, who fought in the Battle of Waterloo, join Flint on the dangerous expedition. Kamiah successfully guides Flint and his men on their trek through the high passes filled with crippling snow drifts and delivers them to the Blackfoot territory, where they build a stockade. Flint narrowly escapes capture and death by Ironshirt (Ricardo Montalban), a young Blackfoot prince and war chief, who kills Baptiste DuNord, one of Flint's best trappers. Ironshirt steals the brigade's horses, but Flint impresses Bear Ghost (Jack Holt), who orders them returned.
Though he marries Kamiah for reasons other than love, and cannot speak her language, Flint falls in love with her. As Flint and Kamiah grow closer, Flint and Bear Ghost become good friends. Bear Ghost prevents Ironshirt from harming Flint and his men, but catastrophe strikes when Roy DuNord, another of Flint's men, kills Bear Ghost to avenge his brother's death. Although Brecan kills Roy, and Flint sinks into a grieving depression over the death of Bear Ghost, Ironshirt succeeds Bear Ghost as chief and resumes his campaign to drive the white trappers out of his country.
In the spring, Kamiah gives birth to a boy, Chip. On the way to Rendezvous, the brigade is attacked by a large war party under Ironshirt and Kamiah is killed. With Chip strapped to its back, Kamiah's horse bolts during the attack and is chased by Ironshirt, intent on killing the boy. Flint manages to kill Ironshirt, however, and rescue his son. As the years pass, Flint takes Chip to live in the Blackfoot camp, where, Flint believes, Kamiah would have wanted him. Although Flint intends to have the boy formally educated in the East, Chip persuades him year after year to postpone his schooling, learning the ways of the mountains from his father.
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Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)