Design
The ornate design of the ace of spades, common in packs today, stems from the 17th century, when James I and later Queen Anne imposed laws requiring the Ace of Spades to bear an insignia of the printing house. Stamp duty, an idea imported to England by Charles I, was extended to playing cards in 1711 by Queen Anne and lasted until 1960.
Over the years a number of methods were used to show that duty had been paid. From 1712 onwards, one of the cards in the pack, usually the ace of spades, was marked with a hand stamp. In 1765 hand stamping was replaced by the printing of official ace of spades by the Stamp Office, incorporating the royal coat of arms. In 1828 the Duty Ace of Spades (known as "Old Frizzle") was printed to indicate a reduced duty of a shilling had been paid.
The system was changed again in 1862 when official threepenny duty wrappers were introduced and although the makers were free to use whatever design they wanted, most chose to keep the ornate ace of spades that is popular today. The ace of spades is thus used to show the card manufacturer's information.
The exact design of the ace card was so important, it eventually became the subject of design patents and trademarking. For example, on December 5, 1882, George G. White was granted US design patent US0D0013473 for his 'Ace of Spades' playing card design. His ace design was adorned with male and female figures leaning onto the spade from either side.
Read more about this topic: Ace Of Spades
Famous quotes containing the word design:
“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)
“Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a more calculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.”
—François, Duc De La Rochefoucauld (1613–1680)
“You can make as good a design out of an American turkey as a Japanese out of his native stork.”
—For the State of Illinois, U.S. public relief program (1935-1943)