Abu Simbel Temples - in Popular Culture

In Popular Culture

  • The temple is the fictional field headquarters of MI6 in the 1977 James Bond film The Spy Who Loved Me, containing M's office, a conference room, and Q's laboratory.
  • The temple is a setting of the 1978 film Agatha Christie's Death on the Nile, where the statues "sing" because of the wind in the crevices (similar to wind blowing over a bottle).
  • The temple is shown in 2001's The Mummy Returns, as a way to the Oasis of Ahm-Shere.
  • Team America mistakenly blows up the temple when they miss fleeing terrorists in Team America: World Police (2004).
  • The temple can be seen briefly in the background of the city-planet of Coruscant when Queen Amidala's ship first arrives in Star Wars Episode One: The Phantom Menace.
  • In Anne Michaels' second novel The Winter Vault the relocation of Abu Simbel is one of the main themes.
  • The temple is a playable tomb in The Sims 3: World Adventures.
  • In the video game TimeSplitters, the entrance to the tomb in the first level – "1935 Tomb" – looks like Abu Simbel, except that the fourth statue is broken in addition to the second.
  • The 1985 computer game Abu Simbel Profanation written by Dinamic Software and released by Gremlin Graphics in the UK, has gameplay based around the temples and Egyptian setting.
  • In the book by Matthew Reilly - The Six Sacred Stones, the lead character - Captain Jack West Jr., leads an expedition to the temple to locate the fictional First Vertex, and to place a "Piller" in said Vertex.

Read more about this topic:  Abu Simbel Temples

Famous quotes containing the words popular and/or culture:

    The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.
    Walter Lippmann (1889–1974)

    What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.
    Jean Dubuffet (1901–1985)