Abd Al-Qadir Maraghi - Works On Music Theory

Works On Music Theory

Abd al-Qadir was proficient in music, poetry and painting. This made him to be a highly desired artisan amongst the courts of different dynasties. It was due to his musical talent that he was named by his contemporaries as the Glory of the past age. .

Abd al-Qadir is known for his four works on music theory. All three surviving works were written in Persian. His most important treatise on music is the Jami al-Alhan (جامع الالحان) (Arabic for Encyclopedia of Music), autographs of which are preserved at the Bodleian Library and the Nuruosmaniye Mosque Library in Istanbul. The first manuscript of this work was written in 1405 for his Nur al-din Abd al-Rahman was revised by the author in 1413. The second manuscript was written in 1415, carries a dedication to Sultan Sharukh of the Timurid dynasty.

The second major work of Abd al-Qadir is the Persian book Maqasid al-Alhan (Arabic for: Purports of Music)(مقاصد الالحان). It was dedicated to the Ottoman Sultan Murad II.

A third treatise on music, the Kanz al-Tu.af (Treasury of Music) which contained the author's notated compositions, has not survived.

His last work, the Sharh al-Adwar (Commentary on the of safi al-din al-urmawi)(شرح الادوار), is to be found in the Nuru Othmaniyya Library.

Read more about this topic:  Abd Al-Qadir Maraghi

Famous quotes containing the words works, music and/or theory:

    In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..
    Edmund Burke (1729–97)

    Truly fertile Music, the only kind that will move us, that we shall truly appreciate, will be a Music conducive to Dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate Reason.
    Albert Camus (1913–1960)

    Frankly, these days, without a theory to go with it, I can’t see a painting.
    Tom Wolfe (b. 1931)