Reception
The single was released on 12 May 1967 by Deram Records and entered the UK charts on 25 May. In two weeks it reached number one where it stayed for six weeks, and on the UK chart for a total of 15 weeks. A May 1972 re-release on Fly Records stayed in the UK charts for a total of 12 weeks, and reached number 13 as highest. In the US, it reached No. 5 and sold over one million copies. In the Netherlands it entered the chart at number one in June 1967 and again reached number one in July 1972.
Chart positions: No. 1 (UK), No. 1 (the Netherlands), No. 1 (Germany), No. 1 (Ireland), No. 1 (Australia), # 1 (World), No. 3 (Norway VG-lista), No. 5 (USA Hot 100). "A Whiter Shade of Pale" also managed to peak at number twenty-two on the soul charts in the U.S.
Over time, "A Whiter Shade of Pale" has earned extensive critical acclaim:
- John Lennon was a great fan of the song and was known to have played it repeatedly in his Rolls Royce. When it was released in England, Lennon (and friends in his circle) reportedly confused Brooker's soulful vocals with Steve Winwood, who had popularity at the time with The Spencer Davis Group.
- It was named joint winner (along with Queen's "Bohemian Rhapsody", which also uses the word "fandango") of the Best British Pop Single 1952–1977 at the BRIT Awards, part of Elizabeth II's Silver Jubilee.
- In 1998 the song was inducted into the Grammy Hall of Fame.
- No. 57 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time in 2004.
- British TV station Channel 4 placed the song at No. 19 in its chart of the 100 greatest number one singles.
Read more about this topic: A Whiter Shade Of Pale
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (18031882)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)