A Treatise on White Magic is a book by Alice Bailey. It is considered to be among the most important by students of her writings, as it is less abstract than most, and deals with many important subjects of her works in an introductory, even programmatic fashion. It was first published in 1934 with the subtitle 'The Way of the Disciple'. She promulgated White Magic as a discipline to serve humanity.
It is a fun esoteric text, which Bailey said was dictated telepathically by the Tibetan Master, Djwal Khul. It is offered as a "basic textbook" for the Western aspirant to initiation, and is divided into fifteen rules of magic, each one taking the reader further into the mysteries of spirituality.
Topics discussed include: how an aspirant can best prepare himself for service, the various ray types of their influences, the relationship between the macrocosm and microcosm, the spiritual, causal, astral and physical realms and their interactions, the spiritual psychology of man (although this is dealt with much more fully in the Esoteric Psychology volumes), The Hierarchy of Masters, esoteric groups and schools, the spiritual centres (or chakras), the occult concept of the Seven Rays, meditation work and much more. One of the main themes is that of soul control.
Read more about A Treatise On White Magic: Ultimate Purpose of White Magic
Famous quotes containing the words treatise, white and/or magic:
“The usual derivation of the word Metaphysics is not to be sustained ... the science is supposed to take its name from its superiority to physics. The truth is, that Aristotles treatise on Morals is next in succession to his Book of Physics.”
—Edgar Allan Poe (18091849)
“The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach the white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.”
—John Dos Passos (18961970)
“A full bosom is actually a millstone around a womans neck: it endears her to the men who want to make their mammet of her, but she is never allowed to think that their popping eyes actually see her. Her breasts ... are not parts of a person but lures slung around her neck, to be kneaded and twisted like magic putty, or mumbled and mouthed like lolly ices.”
—Germaine Greer (b. 1939)