A Portrait of The Artist As A Young Man

A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce, first serialised in the magazine The Egoist from 1914 to 1915, and published first in book format in 1916 by B. W. Huebsch, New York. The first British edition was published by the Egoist Press in February 1917. The story describes the formative years of the life of Stephen Dedalus, a fictional alter ego of Joyce and an allusion to the consummate craftsman of Greek mythology, Daedalus.

A novel written in Joyce's characteristic free indirect speech style, A Portrait is a major example of the Künstlerroman (an artist's Bildungsroman) in English literature. Joyce's novel traces the intellectual and religio-philosophical awakening of young Stephen Dedalus as he begins to question and rebel against the Catholic and Irish conventions with which he has been raised. He finally leaves for abroad to pursue his ambitions as an artist. The work is an early example of some of Joyce's modernist techniques that would later be represented in a more developed manner by Ulysses and Finnegans Wake. The novel, which has had a "huge influence on novelists across the world", was ranked by Modern Library as the third greatest English-language novel of the 20th century.

Read more about A Portrait Of The Artist As A Young ManComposition, Literary Style, Allusions in The Novel, Allusions To The Novel, In Film, Further Reading

Famous quotes containing the words portrait, artist and/or young:

    Few persons who have ever sat for a portrait can have felt anything but inferior while the process is going on.
    Anthony Powell (b. 1905)

    If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work—then I was never an artist.
    Ellen Terry (1847–1928)

    It were a real increase of human happiness, could all young men from the age of nineteen be covered under barrels, or rendered otherwise invisible; and there left to follow their lawful studies and callings, till they emerged, sadder and wiser, at the age of twenty-five.
    Thomas Carlyle (1795–1881)